Artist Adinda van ‘t Klooster creates Affect Formations in collaboration with Durham University
Artist Adinda van ’t Klooster is inviting people to complete an online survey and in doing so contribute to an innovative artwork merging music, science and visual art. The Affect Formations project with the Music Department of Durham University explores the relationship between our emotional response to drawings and musical features through several public performances in the North East.
International artist Adinda van ‘t Klooster is artist in residence at the Durham University Music Department between October 2014 and April 2015. She is collaborating on two artistic research projects, culminating in two live performances.
Within the first project, the artist creates novel electronic soundscapes designed to evoke emotion, and explore the relationship between sound and emotional affect. Professor Tuomas Eerola, leader in the field of emotion and music, will evaluate the emotional response to these soundscapes. In most previous investigations of music and emotion, Western classical music has dominated, so the use of electronic music is a novelty.
The second project involves the creation of two live audiovisual interfaces with Dr. Nick Collins, Reader in Composition. For the ‘In a State’ performance, a computer captures live audio from an improvising pianist and analyses the emotions expressed in the music. As the emotions change, so do projected abstract animated graphics, based on drawings by the artist. The pianist is accompanied by a computer agent generating its own music in response and the computer’s music is also visualized with further animated graphics. A second piece uses sensors that record physiological responses like heart rate, brainwaves and perspiration. The artist says: “I will then use this data to estimate what the musicians feel: whether they are tense or calm, happy or sad. Then I visualise these emotions through animated drawings. The aim of this work is to provide innovative ways for the computer and human musicians to improvise together in new emotive ways.”
A research survey that looks at how people rate the emotional expression in abstract graphics, created by the artist, is being used to help determine the choice of visual elements in the performances. Please participate in this online survey here.
Two innovative concerts will take place in the North East, one at Durham University on the 27th of February and a second at the Sage Gateshead on the 19th March 2015. More information on the project can be found at http://www.affectformations.net.
This residency is made possible by a Leverhulme Trust Artist in Residence grant and a small grant for the arts from the Arts Council England.
Hospitalfield is pleased to announce:
Interdisciplinary Programme 2015
March and August 2015 residencies open for applications
Deadline: 19 January 2015, midnight
Residency Period: 16 – 29 March 2015
Residency Period: 17 – 30 August 2015
Eligibility: International and UK-based artists, writers, architects, producers, dancers, choreographers, commissioners, curators, designers, educators, researchers and others developing their working lives within the scope of contemporary cultural practices.
Places: 8 for March and 8 for August.
Cost: £630 for a two week full board residency with work space.
Selectors: Ewan Imrie, Collective Architecture; Nicola White, Writer; with Laura Simpson, Programme Manager, Hospitalfield Arts.
More information about the residency programme at Hospitalfield and the links to the online application:
Hospitalfield’s Interdisciplinary Residency is a highly international part of our programme and is open to those working across the arts who recognise that they require some time to focus on the development of their work. For individuals or collaborative groups it can be a test bed for developing their practice and a scenario to concentrate on a specific project.
Where the other residency programmes at Hospitalfield focus on visual art the Interdisciplinary Programme gives a platform for us to work with a broad range of cultural practitioners.
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